How Blade Runner 2049 uses narrative presuppositions to subvert viewer expectations
This is for film theory. I’m writing my paper about the film Blade Runner 2049 and how it uses narrative presuppositions ingrained in audience expectations to subvert viewer expectations regarding the main hero.
Blade Runner 2049 spends a lot of time building up that the kid Agent K is searching for could actually be Agent K himself. And they use narrative expectations of the traditional hero to convince us that K is the kid. And then, they reveal that K is not the kid. He is not special in anyway. He’s just another replicant.
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