Please Mr Postman The Beatles Essay Paper

lease Mr Postman The Beatles
lease Mr Postman The Beatles

songs list -1. Please Mr Postman The Beatles

2.Biggie Smalls “Juicy”

3.Kanye West- Through the Wire

  1. Ariana Granda- Thank you, Next

Surveying the Unit 3, 4, and 5 listening lists in this course, choose songs from 2-3 artists or groups (don’t use the Temptations, sorry!) ranging from television’s earliest days in the mid-1950s  who embody the “cuteness” factor to their audiences. Find a video for each of those (it doesn’t have to be exactly the same recording, just the same song), and then find music videos (not on our listening lists) of 1-3 other artists in the 21st century whose cuteness goes into overload.

If you follow those directions carefully, your post will refer to anywhere from 3-5 videos (it’s ok just to choose 3! Short and sweet… ), with at least two of them being songs from our course listening lists (even if the recordings aren’t exactly the same), and at least one being from another recent artist of your own choosing.

Then analyze at least one moment in each video both image and sound and use it to attempt to define what makes that artist, or that moment, unbearably adorbs to the audience who crushed on that particular artist or group. “One moment” can be a line of lyrics, which you put into context, it can be a dance move that combines really well with an intoxicating beat, or it can be a facial expression between two beautiful notes of a melody. (The moment can be anything, really … BUT even if you think it’s just a visual thing, describe the sound as well using terms from our course.)

Others

1.Louis Jordan, Choo Choo Ch’Boogie (1946)

2.W.C. Handy’s Memphis Blues Band, St. Louis Blues (1923),

3.Chuck Berry’s -Too Much Monkey Business (1957)

n choosing the recordings, attempt to address the question of how the meaning or value of improvisation has changed from one ‘historical moment’ (represented by a single act of improvisation) to the next? For example, how did solos in various “blues” styles evolve from the time of Bessie Smith and Ma Rainey, to the blues of the 1940s and 50s? Or what kinds of guitar or piano solos seemed to be important to audiences in different genres and time periods of rock (be sure to specify your categories carefully, e.g. comparing British rock to garage rock, early 80s hair metal to late 80s hair metal, etc.

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