Critical Synthesis Essay of “A Tale of Two Cities”
Critical Synthesis Essay
Critical Synthesis essay based on the novel “A Tale of Two Cities.” Analyse the novel through a “different lens.” In text citations must be included as well as an individual works cited page. Outside sources must be researched and connected to “a tail of two cities.” Unlimited number of sources can be used, the more the merrier.
With A Tale of Two Cities, Dickens asserts his belief in the possibility of resurrection and transformation, both on a personal level and on a societal level. The narrative suggests that Sydney Carton’s death secures a new, peaceful life for Lucie Manette, Charles Darnay, and even Carton himself. By delivering himself to the guillotine, Carton ascends to the plane of heroism, becoming a Christ-like figure whose death serves to save the lives of others. His own life thus gains meaning and value. Moreover, the final pages of the novel suggest that, like Christ, Carton will be resurrected—Carton is reborn in the hearts of those he has died to save. Similarly, the text implies that the death of the old regime in France prepares the way for the beautiful and renewed Paris that Carton supposedly envisions from the guillotine.
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• Summarize the Juergensmeyer reading (51-63), and answer the following four questions by giving examples from the text: How does he want the reader to feel? What images does he use to make the reader feel this way? How exactly does he match his examples up with his category of ‘religious violence’? Are the connections between his examples and his category clear?
• Both Karen Armstrong and William Cavanaugh critique the category of ‘religious violence.’ By using examples from their writing (Armstrong’s article online, Cavanaugh’s reading 65-76) describe how their arguments are similar and make special note of any differences you may encounter. Conclude by choosing a favorite and explaining your choice.
• Narrate an imaginary conversation between George Bataille and an animal of your choosing in which both try to answer the questions ‘what is religion?’ and ‘what is violence?’ Although you do not need to quote from the Bataille reading, you are required to footnote parts of the dialogue with reference to a page number and line number that connects to what Bataille and the animal are saying to each other (77-93).
• Summarize Girard’s theory of the scapegoat and, by referring to specific parts of his essay (95-127), show how it applies to a specific example from a film (ex. Shrek), a news media source (ex. fear of refugees), a play (ex. Matilda), or a novel (ex. Animal Farm). Be sure to summarize your example in detail, and be sure to note ways that Girard’s theory fails to explain your chosen example (i.e. What does the scapegoating theory miss in your chosen narrative?).
• What is an example of something violent that has become part of our habitus (‘common sense world’)? With substantial reference to either Martin Saar’s division of order-practice-subject or Grace Jantzen’s critique of the western obsession with death, analyze a violent aspect of the current habitus. Be sure to define violence and note any religious influence you observe.
• With reference to at least three news sources that cover the same violent event, describe and critique both the use of the term ‘terrorism’ in your news sources and in our reading (139-152). Answer the following questions about your news sources: How is the word ‘terrorist’ being used? For what purpose is it being used? What definition of the term is being used? How does religion play a role in the use of the term?
• Describe ten different critical thinking ‘tools’ that that you have picked up from this class and give examples of how you have used them. Take roughly one page to describe each item in your ‘toolbox’ and make direct reference to one course text on each page. Some tools to consider: the distinction between descriptive and normative statements, the two lenses of sympathy and suspicion, the concept of the habitus, the definition of violence as a violation of boundaries, the idea that we make our social world, Girard’s concept of the scapegoat, Jaeggi’s concept of alienation, Holmqvist’s definition of modern war, Therborn’s idea of inequality, and the problematic category of ‘religious violence.’ Feel free to use other examples from your course notes and readings.
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Editors Whitney Strub and Carolyn Bronstein argue that pornographic revolution of the 1970s was intimately tied to the ravages of the late 1960s. Hardcore pornography was linked to the ghosts of youth counterculture, the Civil Rights Movement, and the Vietnam War.
Pick any 3 chapters from the book “Porno Chic” and use the chapters to explore this claim and offer a determination of what we can see in this genre as it emerged in a specific chronological, social, and political context. How much was pornography opening up new existential understandings? How much was it simply another anarchistic form turned into economic exchange? How did it change American society?
Do not use any other sources than the book “Porno Chic”.
Include at least six brief quotes and provide direct support to your argument.
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Irrational Exuberance by Robert Shiller Summary Description
Read 3 First Chapters of the Book Irrational Exuberance by Robert Shiller and give a summary of the chapters.
Irrational Exuberance by Robert Shiller Summary
In this revised, updated, and expanded edition of his New York Times bestseller, Nobel Prize–winning economist Robert Shiller, who warned of both the tech and housing bubbles, cautions that signs of irrational exuberance among investors have only increased since the 2008–9 financial crisis. With high stock and bond prices and the rising cost of housing, the post-subprime boom may well turn out to be another illustration of Shiller’s influential argument that psychologically driven volatility is an inherent characteristic of all asset markets. In other words, Irrational Exuberance is as relevant as ever.
Characters of the Book The Grapes of Wrath Write an essay is about characters of the book like Jim Casy, Tom, Ma Joad, Muley Graves, Rose of Sharon, Ruthie, Pa Joad, Grampa, Granma, Connie Rivers. and the relationship between.
Characters of the Book The Grapes of Wrath
Do not need work cite page. The Grapes of Wrath: Symbolic Characters
Struggling through such things as the depression, the Dust Bowl summers, and trying to provide for their own families, which included finding somewhere to travel to where life would be safe. Such is the story of the Joads. The Joads were the main family in John Steinbeck’s The Grapes of Wrath, a book which was written in order to show what a family was going through, at this time period, and how they were trying to better their lives at the same time.
Buddhism Book Film and Art Reviews One of the main goals of this course is to train students in accessing, processing, and understanding sources.
Buddhism Book Film and Art Reviews
Students will be required to write a review, comprising a minimum of 1,500 words in length, of a source such as a book, a film, or a piece of art. The review will demonstrate the student’s abilities to adequately describe, analyze, and interpret primary data, be it textual, material, visual, or audiovisual. Students will have to choose one of the following twelve assignments:
Buddhism Book Film and Art Reviews Assignments
Book reviews
-Review of Charles Allen, The Buddha and the Sahibs. London: John Murray, 2002. An very readable account of the rediscovery of the Buddhist sites of India.
-Review of Alan Klima. The Funeral Casino. Meditation, Massacre, and Exchange with the Dead in Thailand. Princeton: Princeton University Press, 2002.A hard-core reportage-cum-ethnography of military violence, gambling, and the religious significance of corpses.
-Review of Janwillem van de Watering. The Empty Mirror. Experiences in a Japanese Zen Monastery. London: Routledge and Kegan Paul, 1973.A sensitive and no-nonsense first-hand narrative of a crime author’s time as a Buddhist novice.
Film reviews
-Review of The Burmese Harp(Japan, 1956), by Kon Ichikawa.
-Review of Angulimala (Thailand, 2003), by Sutape Tunnirut.
-Review of The Cup(Bhutan, 1999), by Khyentse Norbu
Art reviews
– Comparative review of the installations/sculptures: Shroud by Jakkai Siributr(2011), The Buddha’s Face, by Zhang Huan (2010), and Eternity Buddha in Nirvana, by Xu Zhen(2016-17).
– Comparative review of the paintings/prints: Pin Drop Silence, Eleven-Headed Avalokitesvara, by Tenzing Rigdol (2013), Spiritual Mind and Modern Technology, by Rabkar Wangchuk (2013), Sujatha offers Buddha his first meal becoming Buddha by Sumana Dissanayake(undated).
– Comparative review of the photographs: Untitled, [two Japanese Zen monks (komuso) on their alms round], Julian Cochrane(1904), Buddhist priests,[colonial postcard of Srilankan monks], anonymous(1890s), and Mongolian Lama by Thomas Child (1870s).
The Story of Blood Brothers By Richard Price Elaborate the role(s) each of the following plays in the “sociology” of this story.
The Story of Blood Brothers By Richard Price
You don’t have to give me a full explanation of each of the following issues, but choose one insight on each one and explain it to me thoroughly. 1. Racial and ethnic relations, and how they pertain to friendships, segregation, conflicts, where people live and spend time and with whom they do so? 2. How does class-status structure the city? 3. The role of gender and sexuality or, simply, of the female characters in the story.
Watch The Ballad of Buster Scruggs Watch The Ballad of Buster Scruggs by Coen Brothers and write which passages you find interesting and explain why.
Watch The Ballad of Buster Scruggs
Ah, the Old West—where, as American movies have been hell-bent on telling us for over a century, chaos reigns until it doesn’t, opportunity is abundant until it isn’t, and freedom and liberty are the name of the game until some force of God or government tramples them. The West: where, as the titular misanthrope of Joel and Ethan Coen’s new Netflix Original, The Ballad of Buster Scruggs, tells us, “the distances are great, and the scenery monotonous.”
Writing Style of William Burroughs vs Jack Kerouac Using the novels On the Road, Big Sur, Naked Lunch, and Junkie, discuss the differences in writing style of Jack Kerouac and William Burroughs.
Writing Style of William Burroughs vs Jack Kerouac
Suggested Structure
1st section (approx. 200 words)
general sentence(s) to introduce the problem/weakness (e.g., importance of the topic)
personal perspective (i.e., a brief personal history of the topic)
Writing Style of William Burroughs vs Jack Kerouac Preview
preview upcoming points in the paper in order
2nd section (approx. 300 words)
what are the causes and the consequences of your weakness in general? (e.g., if you are talking about low self-esteem, provide what causes people to have low self-esteem, and what are the consequences of having low self-esteem)
relate some of that information to your own personal case (e.g., provide an example to illustrate the development and the consequences of your problem)
3rd section (how can you change/control the problem) (approx. 300 words)
identify a psychological theory you can apply to change/control the problem
talk about the theory and how it may change the problem in general
apply to your own case
Angela Y Davis Women Race class Personality Analysis from page (128-139 )-audience connection to experiences, class personality. Disagree or agree with any content.
Angela Y Davis Women Race class Personality
The countless chores collectively known as “housework” – cooking, washing dishes, doing laundry, making beds, sweeping, shopping etc. – apparently consume some three to four thousand hours of the average housewife’s year.[1] As startling as this statistic may be, ir does not even account for the constant and unquantifiable attention mothers must give to their children. Just as a woman’s maternal duties are always taken for granted, her never-ending toil as a housewife rarely occasions expressions of appreciation within her family. Housework, after all, is virtually invisible: “No one notices it until it isn’t done – we notice the unmade bed, not the scrubbed and polished floor.”[2] Invisible, repetitive, exhausting, unproductive, uncreative – these are the adjectives which most perfectly capture the nature of housework.
