Contemporary American artist: Michael Arcega

Contemporary American artist: Michael Arcega
Contemporary American artist: Michael Arcega

Contemporary American artist: Michael Arcega

Contemporary American artists address a wide range of topics relevant to us. These topics include: maintaining cultural traditions, racism today, struggles of immigrants, war, the environmental crisis, gender discrimination, and political controversies. Some artists explore subjects about racism and discrimination in America’s past. Others focus upon globalization or issues relevant to the country of their family’s origin. Creativity is used to express these concerns along with cultural identity. How do artists address current topics in their artworks? In what ways do artists today include culture in art? Choose one contemporary artist from the list below to describe in your paper. I have included an image of one example of each artist’s work to begin to get your interest.

Write a research paper (1400 words minimum -PROVIDE A WORD COUNT),which includes the following

:1.An introduction to your topic. It would be possible to write an entire book about any of these artists. You will have to select some specific aspect of their work to discuss. Make sure to include a clear thesis statement. For example, you might find a common subject or theme the artist addresses. What do you have to say about this artist and his/her work? -Do NOT write a biography of the artist. Include biographical information relevant to the artist’s work, then expand upon your thesis and the artworks.

  1. As best as possible, discuss the context(s) of the art you are addressing. What does the art reveal about culture, multiculturalism, the artist’s ethnic background or gender? Does the artwork address any current issues relevant to the artist or her/his community? Does the art address themes that are personally relevant to you?***I encourage you to use information from personal interviews from the community. Include the name of the person that you interviewed and date in a Works Cited list. For example, if your paper is about an artist who addresses Korean immigration as a topic, you could interview a Korean-American friend at work for useful information. You might want to show some of the artist’s work to the person you are interviewing.
  2. Pick representative examples of artworks by the artist to illustrate your thesis. Include images of the works you discuss. Identify, if possible, each of these works by title and date. Describe what you see depicted in the art. However, do not just describe the context of the art. Think about it. Describe how the artist uses color, images, material, composition, etc. to express themes in the art. Often an artist’s work draws on imagery from other sources or traditions. What are some of the sources for the work you are discussing? Why has the artist made these choices? Have fun and be creative!
  3. Academic research papers must include notes/citations in the body of the text to show how sources are used to support the statements made. For example, if you state where an artist was born, how do you know? What is your source of information? You do not need to cite sources for things that are generally known or are your personal opinion. If you include a direct quote from a source, put it in quotation marks or blockquote format and cite your source. Quotes should not make up more than 20% of your paper.!!!!!!

5.Conclusion. What do you think about this artist’s work? How does it relate to the subject of the class? What have you learned about art by studying this work?

  1. Include a bibliography (Works Cited list). Use at least four different (in addition to Wikipedia if you use) sources and use documentation (citations or notes) in the body of your paper to show how these sources are used. Do not use information or analysis from sources you do not cite and present it as your own. This is plagiarism and will not be tolerated.

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Art Out of Context Discussion Paper

Art Out of Context Discussion
             Art Out of Context Discussion

Art Out of Context Discussion ( choose One image to work )

AN IMAGE FROM THE TEXTBOOK, WHICH CONTAINS NUDITY, WHERE ITS MEANING COULD BE MISINTERPRETED WITHOUT THE PROPER CONTEXT THAT THE TEXTBOOK PROVIDES.

Initial Post Requirements:

Choose 1 artwork from the entire textbook

Provide: Artist, title, size, location of the artwork.

Make sure to embed the image into the body of the text.

Create an alternative meaning that could be misconstrued for the artwork when viewed out of context. Be specific in your analysis of the artwork, subject matter, etc.

Then, provide the correct context as described in your research.

How much does context matter in interpreting an artwork’s meaning?

Please present your Post with the 1, 2, 3, 4, format as stated above. It will make for easier reading and guarantees that you are including the correct information. This is a requirement.

Requirements for Replies:

Provide an tow additional fictional counter meaning or viewpoint to a peer’s post, continuing the depth of discussion.

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Analyze the Demolition of Chateau of Meudon Painting

Analyze the Demolition of Chateau of Meudon Painting write an essay about the Demolition of Chateau of Meudon painting and analyze it. I need 3pages and citation page too. I write near 2 pages, but I need more pages and rewrite too.

Analyze the Demolition of Chateau of Meudon Painting
Analyze the Demolition of Chateau of Meudon Painting

Demolition of the Chateau of Meudon

  • Identify the painting: artist, title, date, medium, and dimensions (refer to the wall label).
  • Identify the period or style (this can be mostly determined by the date).
  • Provide a brief, clear, and accurate description of the contents of the painting. Describe what you see!
  • Relate the elements and objects viewed to material learned in class – how are they similar/different?
  • Are there objects we did not discuss? What are these and what is the function?

Analyze the Demolition of Chateau of Meudon Painting Leila Sarafraz

History of Environmental Art Part II

Keri Shurtliff

3.19.2019

Demolition of the Chateau of Meudon

Demolition of the Château of Meudon is an oil and canvas artwork which created by Hubert Robert (French, 1733 – 1808) at 1806 in French. The dimensions of this artwork are 113.3 × 146 cm (44 5/8 × 57 1/2 in), and today, it keeps in Getty Museum in Los Angeles. Demolition of the Chateau of Meudon painting is created in the Rococo period and the genre of this painting is landscape painting.

The château of Meudon or royal castle of Meudon was one of the significant memorials of France which was located with Paris and Versailles. This chateau has been arranged from the Renaissance until the fall of Second French Empire. The château of Meudon with a view of Paris and the Seine River destroyed during the 1700s. By beginning the French revolution in 1789, this chateau was damaged by fire in 1795 and ruined completely in 1803. Hubert Robert didn’t just paint ruins even he tried to paint facts and fictions which disappeared.

Analyze the Demolition of Chateau of Meudon Painting

In the 18th and 19th century, paintings of demolitions were popular and Hubert Robert was a famous painter in this field. In the demolition of the château of Meudon painting, although Hubert Robert showed the destruction of the château of Meudon under the blue sky, he presented diverse human activities in terms of rest, work, and play too. It shows that while some visitors are in the balcony and look over the view, two women and a young girl admire the ruins in the center of the painting. Moreover, four laborers are directed by a man on the left side of the painting and other laborers carriage stones with wheelbarrows or by hand. On the other side, a man artist sits with his large sheet of paper while the other man takes the rest back of him. Furthermore, in terms of play, there is a young woman, who holds a baby, wants to a group of children playfully dragging a cart across the littered courtyard. By casting the main structure in strong light, Hubert Robert emphasizes on the main while other figures around it are painting in shadow.

Analyze the Demolition of Chateau of Meudon Painting

The architectural style of château of Meudon is Baroque architecture designed by Jules Hardouin-Mansart and Louis Le Vau. In this design, we can see symmetry, balance, power, and order.

On the other hand, the use of classical architectural forms in terms of columns, entablatures, arches, dentil molding, and pilasters and Renaissance details such as balustrades further emphasizes the overall dedication to the Greeks and Romans. the lower story features Ionic fluted engaged columns and there are several pilasters on two stories. This lower level is capped by an entablature with decorated divides it from the upper level adorned with pilasters. Again, an entablature adorned with a running garland and dentils is seen on the top of this structure. Same as the Chateau de Chambord, the overall structure of château of Meudon emphasize on horizontal which is a character of Gothic architecture and it was a concern of Rainessance.

Analyze the Demolition of Chateau of Meudon Painting

The building at the center, which is the right of the painting, is ornamented and the material is the stone. At the top of that, it looks there was an ornamented pediment (a triangle above horizontal structure of entablature) which destroyed during on the fire. Moreover, back of the pediment, similar to the Palace of Fontainebleau, the roof of the château of Meudon designed a steep tile which inspired from Francois Mansart. However, other parts of this structure are plaster.

We can see the sculpture in some bay area and there is a tower with dormer calling faraway of the viewer.

The French chateau was designed for prestige and comfort. Most of the French Chateau was included a courtyard same as Italian palazzi. However, the design of these courtyards was distinct. In this painting, the woman who holds a baby with group children is in the courtyard.

http://www.getty.edu/art/collection/objects/225586/hubert-robert-demolition-of-the-chateau-of-meudon-french-1806/

Celebrating the Visual Art Essay Assignment

Celebrating the Visual Art
            Celebrating the Visual Art

Celebrating the Visual Art

A paragraph explaining the differences between process and product in visual art activities and which is most valuable to the development of young children.

Your assignment must follow these formatting requirements:

  • Be typed, double spaced, using Times New Roman font (size 12), with one-inch margins on all sides; citations and references must follow APA or school-specific format. Check with your professor for any additional instructions.
  • Include a cover page containing the title of the assignment, the student’s name, the professor’s name, the course title, and the date. The cover page and the reference page are not included in the required assignment page length

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Capability of a Master Artist During the Renaissance

Capability of a Master Artist During the Renaissance Content Requirements In Chapter 5, Lewis & Lewis writes, “Our museums devote more space to paint than any other art form.

Capability of a Master Artist During the Renaissance
Capability of a Master Artist During the Renaissance

During the Renaissance, there was a great deal of discussion about whether a painting was the highest of the arts.” Consider this in light of the words (p. 84) of Leonardo da Vinci:

“If the painter wishes to see enchanting beauties, he has the power to produce them. If he wishes to see monstrosities, he has the power and authority to create them… if in the hot season he wants cool and shady places, or in the cold season warm places, he can make them… Indeed whatever exists in the universe, whether in essence, an actor in the imagination, the painter has first in his mind and then in his hands.”

Now, read Ephesians 3:20 in The Message Bible.

If you had the capability of a Master Artist and could paint a picture of your life, what would it look like? Using descriptive language, sensory imagery, and broad-sweeping strokes of rich text, paint a picture in our minds of that painting.

Format Requirements

Document Type

MS Word

Paper Size

8.5 X 11″

Length

1-2 pages

Margins

1″

Font

Times or Times New Roman, 12 pt.

Line Spacing

Double. No extra double space between paragraphs, please.

In-text Citations & Reference List Style

APA

File Naming Convention

LastNameFirstNameWeek2Apply

Example: DoeJohnWeek2Apply

Submission

After preparing your assignment in Microsoft Word, you will submit it, as an attachment below. When you are ready, scroll down to access the +File attachment area.

Upload the file first, then write something in the input box, such as “Please see attached.” Then, you will see the ORANGE save button appear. Click the button to submit your assignment.

Questions?

Questions about this assignment? Feel free to post them in the Ask Questions forum, which you can access by clicking the “Discussions” tab from the top of the Course Outline.

Answer This field is mandatory

Files

Drop files here The file size should not be more than 300 MB

Museum analysis Assignment Paper

Museum analysis
                    Museum analysis

Museum analysis

Description

http://tampamuseum.org/current-exhibitions/

-select any current exhibit/collection artwork to write about

INSTRUCTIONs

A work of art is the product of the dynamic interrelationships between the various art elements and principles. As you analyze the artwork, ask yourself why the artist made such choices. By considering the formal elements and principles of design involved, you can make yourself look more closely at the work of art, and thus understand more fully the artistís intended vision, as well as noticing how the work reflects the time and place from whence it came.

You must address ALL the prompts below within your essay, but your response need not be organized in the exact order given. Your paper must include proper introductory and concluding paragraphs.

  1. Formal Analysis (this section should be the ìmeatî of your paper): Find any work of art in the museum that interests you. You will engage in a thorough visual analysis of that work. Follow the guidelines below.
  • Identify the work fully (artist name if known, title if available, time period or date, medium, dimensions or approximate dimensions).
  • Provide a brief description of the subject matter of the work.
  • Analyze, describe, and discuss the work in terms of three (3) formal elements of art.
  • Analyze, describe, and discuss the works’ composition using three (3) principles of design.

**IMPORTANT: It is expected that the analysis of the workís formal elements and principles of design be the most in-depth and therefore most time should be spent on this section. You must demonstrate your understanding of the concepts learned in the course by utilizing appropriate course vocabulary within your analysis. Please use precise terminology associated with the elements and principles chosen. Failure to do so will result in a reduced grade. Consult the chapters and course material from Module 2.

o Spend a good amount of time looking at the work and taking notes. It is helpful to provide the reader with an overall picture of the work you are describing. You may find it useful to pretend you are describing the work to someone who cannot see, but must create an impression of the work based solely on your words. Clearly and articulately analyze and describe the formal elements and principles of design that you see in the work. There may be many, but be selective and try to determine the most significant elements of composition. Remember to utilize key terms from the textbook associated with the specific elements/principles chosen.

Is the work non-objective, representational, figurative, or abstract? Note that a work of art can fall into more than one of these categories. Please explain fully and in a way that demonstrates you have a correct understanding of the term(s) as it relates to our course content.

  1. Discussion of Medium: Examine your artwork further by discussing the medium used and the artist’s technique and application of materials. Is the object two- or three-dimensional? What limitations, if any, might the chosen medium create for the artist? Below are some further questions to consider, depending on the type of medium employed. See Part Two of your textbook (Media & Processes) for further information on art materials and media.

Page 2 of 3

Painting: How did the type of paint affect the strokes the artist could make? Was it fresco, oil, tempera, or watercolor? Was it a fast-drying paint that allowed little time to make changes? What kind of textures and lines was the artist able to create with this medium? Does it lend a shiny or flat look? How durable was the medium?

Does the work look the same today as when the artist painted it?

Drawing: Consider the materials utilized: metal point, chalk, charcoal, graphite, crayon, pastel, ink, and wash. Is the artist able to make controlled strokes with this medium? Would the tool create a thick or thin, defined or blurred line? Was the drawing intended to be a work of art in itself, or is it a study for another work, a peek into the artist’s creative process?

Printmaking: What is the process the artist undertook to create this work? Did he or she need to carve or etch?

Did the medium require a steady hand? Strength or patience?

Photography: What is the process the artist undertook to create this work? Is it an example of early photography or more recent processes? Is it created from digital, film or other processes? Documentary? Staged?

Sculpture: Is the sculpture high or low relief, or can we see it in the round? What challenges did the material present to the artist? Was the work created through a subtractive process or an additive one? What tools did the artist use to create the form? Is your work created from constructing or assembling things together?

Craft: Is it made of fiber, textile, ceramics, metalwork, glass, etc? Is the art object considered craft or fine art?

Why? Can works of fine art be utilitarian, in your opinion?

Alternative media and processes: Is your work a video, sound art, interactive, a work of conceptual art or even a performance piece? How does it differ from traditional works of art? Did you encounter the actual work itself, or is it documentation of an event or a time-based piece? Do you find it easier or more difficult to apply a formal analysis to this type of work? Explain.

III. Interpretation: This is the part of the paper where you go beyond description and offer a conclusion and your own informed opinion about the work.

Consider how the formal aspects of the work and the subject matter work together to produce significant meaning.

How did the artist’s choice of materials and medium affect its message and reception?

What questions does the work raise or leave you with, if any? Is it possible to make a reasoned statement about the artist’s aim?

Describe your personal reaction to the work. Did a visual analysis change your first reaction and interpretation of the work?

Page 3 of 3

In addition to the above, include the following within your essay:

  • Which museum did you attend? (This should be stated in the introductory paragraph.)
  • What is the basic organization of the museum’s collections? Discuss your personal overall impression of the experience itself, the museum, the exhibitions and their presentation.

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Dale Chihuly art history research paper

Dale Chihuly art history research paper
    Dale Chihuly art history                      research paper

Dale Chihuly art history research paper

for my art history class I need to have 10 full pages
research paper. I have my topic, which is about Art Glass and i want to research about Dale Chihuly and talk about his works also about the museum which is in Seattle. and I will need to have 2 pages outline. also I have to produce a detailed bibliography. the research paper should have at least three bibliographic sources.

Your assignment must follow these formatting requirements:

  • Be typed, double spaced, using Times New Roman font (size 12), with one-inch margins on all sides; citations and references must follow APA or school-specific format. Check with your professor for any additional instructions.
  • Include a cover page containing the title of the assignment, the student’s name, the professor’s name, the course title, and the date. The cover page and the reference page are not included in the required assignment page length.

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Art Visual analysis Essay Assignment Paper

Art Visual analysis
Art Visual analysis

Art Visual analysis

For your Final Paper, you are to choose
one artist and one work of art by that artist and give a 2 page visual analysis of that work of art.

I expect 1 cover page, and 2 FULL pages of text, Times New Roman font, 12, double spaced.
Do not adjust the margins, do not increase the size of your text, do not plagiarize!

You are also to include an image of the work of art you have chosen on the cover page.

Your chosen artist/work must either be a living contemporary (recognized) artist, or a historical artist. I love your kids/nieces/nephews/friends/grand kids, but I do not want to see finger paintings for this assignment.

Organization:
1. Introductory paragraph
2. Introduce your artist and the piece you chose
3. Discuss the visual properties of the work
4. What does this piece communicate to the viewer?
5. Why did you chose this piece?
6. Conclusion

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Visual Art Analysis Essay Assignment Paper

Visual Art Analysis
Visual Art Analysis

Visual Art Analysis

For your Final Paper, you are to choose
• one artist and one work of art by that artist and give a 2 page visual analysis of that work of art.
• I expect 1 cover page, and 2 FULL pages of text, Times New Roman font, 12, double spaced.
• Do not adjust the margins, do not increase the size of your text, do not plagiarize!
• You are also to include an image of the work of art you have chosen on the cover page.
• Your chosen artist/work must either be a living contemporary (recognized) artist, or a historical artist. I love your kids/nieces/nephews/friends/grand kids, but I do not want to see finger paintings for this assignment.

Organization:
1. Introductory paragraph
2. Introduce your artist and the piece you chose
3. Discuss the visual properties of the work
4. What does this piece communicate to the viewer?
5. Why did you chose this piece?
6. Conclusion

Art Appre & Art Appre Honors Paper
Tips for writing your paper (please see syllabus for instructions):
• In your paper, you firstly need to have a clear introduction. State the title of the piece you have chosen, the artist’s name, and what you intend to write about.
• So what are you writing about? Well first you might want to write a paragraph on what you know about the artist—where are they from, what is their background, what kind of art do they generally create. This information might have been included in an Artist Statement at the gallery opening you attended. If this kind of information was not provided at the opening, it is not required for your paper, it’s just nice to have. ?
• You most definitely need a visual analysis of your chosen work. This is your chance to use all of that vocab you’ve learned this semester. What is the medium? What elements of art are used? What principles of design are used? What does this work of art communicate to the viewer?
• Don’t forget you need a cover page with your name on it, and you also need a copy of your chosen piece attached to the paper.

Tips for those of you writing the Art Appre Honors Paper:
• You must write your paper on a Contemporary (meaning the artist is still alive) artist. If you are having difficulties finding an artist you like, first use your book as a reference, and come speak with me if you continue to have issues.
• First, give some background on your chosen artist. Who is this person? Where did they learn about art? What media do they generally work with? Do they have a common theme in their art? Who do they consider to be their influences? What other artists do they work with? These might be some of the questions you approach in your paper.
• Choose one work of art from this artist and give a full visual analysis of this work of art.
• Make sure you are following the guidelines in your syllabus about sources.

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Surrealism and Salvador Dali Assignment

Surrealism and Salvador
        Surrealism and Salvador

Surrealism and Salvador

Surrealism and salvador Dali and the two painting “the persistence of time and ” burning giraffe

In your 1,000-word paper, present research on the artist you have chosen that reveals the stylistic and historical context in which they worked. Analyze the two works and identify the elements internal to the works that fit within the stylistic category under consideration—explain why and how.
In order to successfully complete this assignment, you must have a solid understanding of the movement you are examining, and you must select two works wisely. You may wish to look at two works that are quite different or two that are similar—one that fits very neatly under the movement,
and another that departs from it somewhat, for example, or two that clearly demonstrate the qualities associated with the movement, but that represent different subjects, or two works in different media, etc. and i need a thesis.

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